Barbara London: My guest today is Stan Douglas, the acclaimed Canadian artist who reimagines the mediums of photography, film and video while looking at technology’s role in image making and how those media apparatuses infiltrate and shape our collective memory. Born 1960 in Vancouver, where he still works, Stan has shown several times in Documenta, at the Venice Biennale, and in the Whitney Biennial. Stan’s work often pulls from his interests in music, movies, television and theater, aiming for what he sees as the small moments that are a local symptom of a global condition.
One function of art, Stan says, is to see things we think we know in a different way. Often, he will take an existing narrative and restage it, revealing what he calls the tension between different forces at play. Stan’s latest show, “The Enemy of All Mankind” is currently on view at the David Zwirner Gallery in New York through October 26. Stan, thank you so much for joining me.
Stan Douglas: Thank you. Nice being here.